
Collagraph
Reduction Linocut
Screenprint
Monoprint
Monoprint-screenprint
Copper Etching
What got you into printmaking?
Having had a taster at my Foundation art course, a friend later invited me to a print studio in my home town. I started with a collagraph course.
I soon discovered there were many techniques and possibilities and became utterly hooked, leading to weekly printing at Bodenpress. I have practised collagraph, reduction lino, screenprint, monoprint, monoprint-screenprint, and copper etching.
Where do you work and what equipment do you use?
Having moved to Southampton in 2025, I now have my own home studio looking out onto the River Itchen.
I am very pleased with my etching press and very large work table. One of my favourite bits of equipment is a thin-edged plastic knife that I love to use in monoprinting on polypropylene.
What inspires your printmaking?
I respond to what I read, see and think – sometimes feelings, sometimes catharsis, sometimes celebrating creation.
I most enjoy my work that begins with an idea and then develops during the process of printing – modifying, adding, changing direction.
What do you find most challenging and what do you most love?
Sometimes there are challenges where something is not quite working (eg: colour, light, composition). However, I love working out how to resolve those challenges. I love the printing process itself.
Where might people have seen your work?
I have regularly exhibited with Bodenpress over many years including at Highgate Literary & Scientific Institution. I also exhibited at Bucks Open Studios/Art Weeks for over 10 years. I also exhibited at NOPE Bankside and RA Summer Exhibition.
I have taught occasional GCSE students, enabling them to augment their portfolio.






Instagram: @thebernieg
